By Shawn Michelle Smith

ISBN-10: 0822333430

ISBN-13: 9780822333432

Through a wealthy interpretation of the impressive pictures W. E. B. Du Bois compiled for the yank Negro show on the 1900 Paris Exposition, Shawn Michelle Smith finds the visible measurement of the colour line that Du Bois famously known as “the challenge of the 20th century.” Du Bois’s prize-winning show consisted of 3 albums jointly containing 363 black-and-white images, regularly of middle-class African american citizens from Atlanta and different components of Georgia. Smith offers an in depth research of the photographs, the antiracist message Du Bois conveyed via accumulating and showing them, and their connection to his severe notion. She contends that Du Bois used to be an early visible theorist of race and racism and demonstrates how such an figuring out makes the real thoughts he developed—including double cognizance, the colour line, the Veil, and moment sight—available to visible tradition and African American reviews students in strong new methods.

Smith reads Du Bois’s pictures when it comes to different turn-of-the-century photos resembling clinical typologies, legal mugshots, racist caricatures, and lynching photos. via juxtaposing those pictures with reproductions from Du Bois’s exhibition archive, Smith indicates how Du Bois intentionally challenged racist representations of African american citizens. Emphasizing the significance of evaluating a number of visible documents, Photography at the colour Line reinvigorates understandings of the stakes of illustration and the elemental connections among race and visible tradition within the United States.

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Photography on the Color Line: W. E. B. Du Bois, Race, and Visual Culture (a John Hope Franklin Center Book) by Shawn Michelle Smith


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