By Robert H. Brinkmeyer
ISBN-10: 0807133833
ISBN-13: 9780807133835
As Brinkmeyer indicates, approximately all white southern writers in those many years felt impelled to house this specter and with the consequences for southern id of the problems raised through Nazism and Fascism. Their responses diversified greatly, starting from repression and denial to the repulsion of self-recognition. With penetrating perception, Brinkmeyer examines the paintings of writers who meditated the relationship among the authoritarianism and racial politics of Nazi Germany and southern tradition. He indicates how white southern writers—both these writing cultural feedback and people writing inventive literature—turned to Fascist Europe for photos, analogies, and metaphors for representing and realizing the clash among conventional and smooth cultures that they have been witnessing in Dixie.
Brinkmeyer considers the works of a variety of authors of various political stripes: the Nashville Agrarians, W. J. funds, Lillian Smith, William Alexander Percy, Thomas Wolfe, William Faulkner, Katherine Anne Porter, Carson McCullers, Robert Penn Warren, and Lillian Hellman. He argues persuasively that by means of undertaking their works the very important modern debates approximately totalitarianism and democracy, those writers reconfigured their knowing not just of the South but additionally of themselves as southerners, and of the character and importance in their art.
The magnum opus of a amazing pupil, The Fourth Ghost deals a beautiful reassessment of the cultural and political orientation of southern literature via reading an enormous and heretofore unexplored effect on its development.
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The Fourth Ghost: White Southern Writers and European Fascism, 1930-1950 (Southern Literary Studies) by Robert H. Brinkmeyer
by William
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